1927 Ira Gershwin, "The Babbit and the Bromide," from the stage musical "Funny Face" (1927). Lyrics collected in: Louis Kronenberger (2008) An Anthology of Light Verse, p234
A Babbitt met a Bromide on the avenue one day. They held a conversation in their own peculiar way.
1930The Literary digest, Volume 105, Funk and Wagnalls, p21
One speaks of a babbitt habit, a babbitt era. Nothing is more true. America recognized itself in Babbitt, it demurred, but it also admired.
1951The Georgia review, Volume 5, University of Georgia, p150
If there's one thing I can't stand, it's a Babbitt. Say, there's nothing more wonderful than defying middle-class conventions.
2002Tamkang review, Volume 33, Tamkang College of Arts and Sciences, p158
... a "babbitt" is a person full of self-confident bluster who is nevertheless a narrowminded philistine and a hypocrite.
2003 William Hyland, George Gershwin: a new biography, Greenwood Publishing Group, p116
Ira relished telling the story that Fred Astaire took him aside and said he knew what a babbitt was, but what was a bromide?
2009 Phillip G. Payne, Dead last: the public memory of Warren G. Hardings scandalous legacy,'' Ohio University Press, p12
In this sense Harding was a Babbitt. Intellectuals and journalists rejected Harding as being as empty as the Sinclair Lewis character.